Tuning: Pumice Radio 調頻中：浮石電台 (2023-onging)
Interactive sound installation, performance, event score
Sound, field recordings, pocket radio, FM transmitter, seawater, glass, paper, body, space, pumice from Japanese submarine volcano Fukutoku-Okanoba’s eruption
拿起收音機，一個接著一個，打開，調節頻率
你可以在空間中行走，移動身體，以及收音機的身體
試著想像一種演奏時的身體韻律，跟著那樣的節奏呼吸、調頻
或是讓身體成為耳朵，聆聽
直到空間被浮石孔隙間錄下的海潮聲填滿，直到聲音喚醒內在一段關於海的記憶
(那片海沒有名字，是我們共同的海）
直到你的呼吸化為空間的呼吸
Pick up a pocket radio, turn on the radio one by one
Tuning
You can walk around, move your body and the body of the pocket radio
Try to imagine a rhythmic body as you were performing
Follow the rhythm and
Breathe
Tune into your body
Or let your body become ear and
Listen
Until the space is filled with the ocean waves recorded through the pores of pumice
Until the sound let a piece of inner memory resonating with the ocean awaken
(There is no name for the ocean between us, it is the ocean we shared)
Until your breathing transforms into the breathing of the space
「調頻，直到聽見海浪，找一個位置安放它。」
《調頻中：浮石電台 Tuning: Pumice Radio》是以臨場行為出發的創作，透過調頻收音的行動指引，邀請他者透過有意識地聆聽、演奏，尋找穿梭想像與真實訊號之間的海洋。
臨海生活期間意外拾獲的漂流浮石，成為了作品啟動的引子。浮石多孔的物質特性，使其成為自然的傳遞介質，隨著洋流牽引，攜帶著海洋的訊息，直至抵達海岸。我將浮石作為海浪訊號發送的基地，設置一浮石電台，循環播放真實世界中錄製的海浪聲，收音機調節頻率時的噪訊與海聲的相似與模糊，開啟了在聆聽中遊戲的可能。調頻過程是一次次有意識地聆聽，不同時空的電聲波動在此交疊，這片海是不可見卻可聽的量體 (volume)，是我們此刻共同的海。
Tuning: Pumice Radio Live performance (2023)
Tuning: Pumice Radio Live performance in Hualien Cultural & Creative Industries Park. 22th July 2023
Photo credit: Ming-yueh Tsai