Iris Chun-Tzu Chang is an artist and researcher currently based in Taiwan.
Like sound as clay, Iris crafts her work through drawing, poetry, installation, field recording, and improvised performance.
Exploring embodied perception at the thresholds between the tangible / intangible, audible / inaudible, conscious / subconscious, her art practice aspires to weave a passage through which experience itself may unfold and be heard.
Her works have been exhibited and performed internationally, including at the Itoshima International Arts Festival (2025), Kaohsiung Museum of Fine Arts (2025), Taipei Biennial Music Room (2023), TOWARDS SOUND Festival, Berlin (2022), and IKLECTIK, London (2019). Awards include Best Imagined Sound shortlisted (Sound of the Year Awards, 2022), the 17th Wanderer Project grant (Cloud Gate Foundation, 2023), Next Art Tainan Award (2025), and HOPAX Sustainable Environment Special Award at the Kaohsiung Award (2025).
Iris initiates a long-term practice-based research What is it like to be an ear of _?, exploring more-than-human listening and imaginary sound. She has facilitated workshops and lectures on imaginative listening and sonic scoring since 2021.
張君慈，國立成功大學主修工業設計、輔修建築畢業。英國倫敦藝術大學聲音藝術碩士。創作橫跨繪畫、詩、裝置、田野錄音與即興演出等，試圖探索空間中可聽與不可聽之間的身體感知及意識流動。
曾於亞洲、歐洲各地展演發表，包括糸島國際藝術祭（2025）、高雄市立美術館（2025）、台北雙年展 Music Room（2023）、柏林 TOWARDS SOUND 藝術節（2022）、倫敦 IKLECTIK（2019）等。近年獲高雄獎「聚和國際環境永續特別獎」（2025）、臺南新藝獎（2025）、雲門第十七屆「流浪者計畫」獎助（2023）及 Sound of the Year Awards 2022「最佳想像聲音類別（Best Imagined Sound）」決選等。
2021年開啟長期實踐型研究計畫〈如果我有＿的耳朵？What is it like to be an ear of_?〉探索不只是人類 (more-than-human) 的聆聽經驗，並於各地舉辦多場想像聆聽 / 聲音譜記工作坊及講座。